{Originally posted to the Gatestone Institute website}
One of the most notorious lines — and lies — that grew out of the trial of Adolf Eichmann for his important role in the Holocaust, was what Hannah Arendt called “the banality of evil,” meaning that even the most horrific people can appear insipid. Arendt was assigned to report on the 1961 trial of Eichmann in Jerusalem, but according to contemporaries, she rarely attended the trial. She came to Jerusalem having made up her mind in advance that Eichmann in particular and other perpetrators of the evils of the Holocaust in general, were ordinary nondescript functionaries. She reported on the trial with an agenda. It was not necessary for her actually to observe and listen to Eichmann because to do so might undercut her thesis. So instead she wrote a mendacious screed in which she constructed a stick-figure caricature of one of the most significant perpetrators of the Holocaust.
I use the word mendacious deliberately, because it seems Arendt knew better. One of Hitler’s key supporters was Professor Martin Heidegger, perhaps the most influential philosopher of his day. Arendt was his student and lover. After the war, she tried desperately to rehabilitate him. He was anything but banal. Nor were Göring, Goebbels, Himmler, Hitler and the numerous doctors and lawyers who were tried at Nuremberg. Neither were the university students who began by burning Jewish books and ended by burning Jewish children. The perpetrators of the Holocaust — from those who organized it in Berlin to those who carried it out in the death camps and killing fields — included some of the most brilliant young men and women in Germany. Many left university to participate in the “final solution” and then returned to highly prestigious jobs in post-war Germany.
Adolf Eichmann was also anything but banal, as a perusal of the trial transcript reveals. In the new film Operation Finale, he is played by Ben Kingsley. Although the film partakes of Hollywood liberties — a romance between a beautiful doctor who in reality was a man and the film’s Israeli hero — Kingsley’s fictional portrayal of Eichmann is far more realistic than the allegedly non-fiction account by Arendt.
The late Professor Telford Taylor — who was my teacher, mentor, colleague and friend — had been the chief prosecutor at the Second Nuremberg Trials. He was invited to report on the trial as well. He invited me along as his assistant and translator, but I had just been elected editor-in-chief at the Yale Law Journal and could not accept his offer — a decision I have long regretted. When he returned, he gave me his account of the trial, which varied enormously from that of Hannah Arendt. Where she saw banality, he saw calculation, manipulation and shrewdness. These characteristics come through far more clearly in the film than in Hannah Arendt’s deeply flawed account. In the film, we see a highly manipulative, shrewd judge of character who seeks to use his psychological insights to his advantage.
Nor was Arendt’s book, Eichmann in Jerusalem: A Report on the Banality of Evil, the only effort by Germans to attribute banality and ignorance to the perpetrators of the Holocaust. In Bernhard Schlink’s award-winning book, The Reader, turned into a critically-acclaimed staring Kate Winslet, a woman who actively participated in the mass-murder of Jews is presented as embarrassed by her illiteracy. Readers and viewers come away believing that she may have been more typical of hands-on perpetrators than the SS and Einsatzgruppen.
Deliberately distorting the history of the Holocaust — whether by denial, minimization, unfair comparisons or false characterizations of the perpetrators — is a moral and literary sin. Arendt is a sinner who placed her ideological agenda, to promote a view of evil as mundane, above the truth. To be sure, there are untruths as well in Operation Finale, but they are different in kind rather than degree. Some of the drama and chase scenes are contrived, but what else can be expected of Hollywood? What is important is that Eichmann is presented in his multifaceted complexity, in the manner in which Shakespeare presented Iago, Lady Macbeth and many of his other villains — not as banal but as brilliantly evil.
It is essential to the past memory of the victims of the Holocaust, as well as to the future efforts to prevent recurrences of genocide, that we not simplify with ideologically driven and historically false oversimplifications such as “the banality of evil.” That mendacious and dangerous phrase should be struck from the historical vocabulary of the Holocaust and the trial of Eichmann, lest we look in the future for banality and miss the brilliance of those who would repeat Eichmann’s crimes.