Shoshana Batya Greenwald is a grants manager, Hebrew school teacher and design historian passionate about making positive change in the Jewish community. She is also on the leadership team of Orthodox Leadership Project.
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When you turn the Holocaust into a generic moral lesson you rob it of its particular evil and you rob the victims of their own narratives.
Our mission statement reads: Orthodox Leadership Project (OLP) empowers Orthodox Jewish women’s leadership as a way of strengthening Orthodox communities and the broader Jewish community.
The most uplifting aspect of the film was the footage from the displaced persons camps.
People often ask me why do we need another Holocaust center? The story of Isaac Avigdor is the answer.
This time of year, there is little pleasure greater than cozying up with a good book. The problem is, of course, that there is a lot to do.
As professions go, an international children’s rights advocate is probably not listed anywhere as a low stress job. Fighting on behalf of children in places as far off as Sudan, Yvette Garfield took their plight to heart and came up with – a cookbook. Handstand Kids, Garfield’s company, was established in 2007 to connect children in a global community. In her words, “I had done a lot of traveling and wanted to introduce kids to the world and food seemed the best way to do it.”
On my third visit to the annual New York Botanical Garden Orchid Show, I did not take any pictures.
Work-life balance has been in the media a lot lately. Anne-Marie Slaughter, a Princeton professor who served as the first female Director of Policy Planning for the U.S. State Department, wrote a groundbreaking article in The Atlantic entitled “Women Can’t Have It All.” Slaughter writes about her struggle with balance—parenting and working, and the importance of being present, as well as the importance of absolute boundaries between work and parenting. As evidence—both of the compartmentalizing men are capable of and as an example of the type of behavior women should engage in more, Slaughter writes about Orthodox men she has worked with: “Come Friday at sundown, they were unavailable because of the Jewish Shabbat.”
Now, only months after the artist’s death, is no time to be coy. Moshe Givati’s work is a revelation: dynamic, throbbing with life, pulsating with meaning. The exhibition “Equus Ambiguity – The Emergence of Maturity,” is up for only a few more days but I urge you to hurry to the Jadite Gallery and familiarize yourself with this under-recognized artist.


